Grief-stricken Róise lost her husband, Frank, two years ago. Her son, Alan, worries about her but the arrival of a mysterious dog seems to bring happiness to her life once more. Róise soon comes to believe that the dog is, in fact, Frank reincarnated. He has come back to be with her again... and to coach the local sports team. Scottish Gaelic with subtitles. NR, 1h 28m.

Evil doesn’t span eternity without a little help. In this modern monster tale of Dracula's loyal servant, Nicholas Hoult stars as RENFIELD, the tortured aide to history's most narcissistic boss, Dracula (Nicolas Cage). Renfield is forced to do his master's every bidding, no matter how debased. But now, after centuries of servitude, Renfield is ready to see if there's a life outside the shadow of The Prince of Darkness. If only he can figure out how to end his codependency. R, 1h 33m.

A dream cast assembles for Strauss’s grand Viennese comedy. Soprano Lise Davidsen is the aging Marschallin, opposite mezzo-soprano Isabel Leonard as her lover Octavian and soprano Erin Morley as Sophie, the beautiful younger woman who steals his heart. Maestro Simone Young takes the podium to oversee Robert Carsen’s fin-de-siècle staging. Part of the Metropolitan Opera Live Series. 4h 45m. Sung in German with subtitles.

Owen Wilson takes us to a special place as Carl Nargle, Vermont’s #1 public TV painter who is convinced he has it all: a signature perm, custom van, and fans hanging on his every stroke…until a younger, better artist threatens to steal everything (and everyone) Carl loves. PG-13, 1h 36m.

Hilma af Klint (1862-1944) was an abstract artist before the term existed, a visionary, trailblazing figure who, inspired by spiritualism, modern science, and the riches of the natural world around her, began in 1906 to reel out a series of huge, colorful, sensual, strange works without precedent in painting. Beautifully written and directed by Swedish master Lasse Hallström, the "spirited and sensuous" HILMA explores the life of this revolutionary Swedish artist and feminist pioneer. NR, 2h.

From his darkest fears comes the greatest adventure. A paranoid man (Joaquin Phoenix) embarks on an epic, Kafkaesque odyssey to get home to his mother in this bold and ingeniously depraved new film. R, 2h 59m.

In a merry mash up of sisterly affection, parental disappointment, and bold action, POLITE SOCIETY throws, kicks, and punches the genre etiquette book out the window to deliver a fun film that blends Bollywood splendor and British wryness. PG-13, 1h 43m.

Who can turn down the brown eyes of Marcello Mastroianni? Come downtown for Starlight Classics Night for a true romantic Italian romp. This fizzy classic won the Best Comedy award at Cannes the year it premiered, and we promise you'll leave laughing. A smoldering movie for a cool winter's night. NR, 1h 44m. Italian with subtitles. The Starlight Room has only 40 seats; advance tickets recommended.

It's time to dust off the big suit. One of the best concert movies of all time, and a Rose Theatre tradition! Director Jonathan Demme's STOP MAKING SENSE (1983) captures the Talking Heads in their prime, with their timeless music and unforgettable staging. This film is meant to be played loud... NR, 1h 28m.

Six-time Grammy Award–winning composer Terence Blanchard returns to the Met after his FIRE SHUT UP IN MY BONES triumphantly premiered with the company to universal acclaim in 2021. Bass-baritone Ryan Speedo Green is the young boxer Emile Griffith, who rises from obscurity to become a world champion, and bass-baritone Eric Owens portrays Griffith’s older self, haunted by the ghosts of his past. Part of the Metropolitan Opera Live Series. 3h 20m.

Tony Award–winning director Ivo van Hove makes a major Met debut with a new take on Mozart’s tragicomedy, re-setting the familiar tale of deceit and damnation in an abstract architectural landscape and shining a light into the dark corners of the story and its characters. This star-studded cast is led by baritone Peter Mattei as a magnetic Don Giovanni, while sopranos Federica Lombardi, Ana María Martínez, and Ying Fang make a superlative trio as Giovanni’s conquests. Part of the Metropolitan Opera Live Series. 3h 15m. Sung in Italian with subtitles.

One of opera’s most beloved works receives its first new Met staging in 19 years—a daring vision by renowned English director Simon McBurney that The Wall Street Journal declared “the best production I’ve ever witnessed of Mozart’s opera.” Nathalie Stutzmann conducts, with the pit raised to make the Met Orchestra visible to the audience and allow interaction with the cast. Part of the Metropolitan Opera Live Series. 3h 30m. Sung in German with subtitles.