Coming Soon

Starts 10/8 - Tickets Available Now

No Time To Die

Daniel Craig returns one last time as James Bond, starring alongside OSCAR®-winner Rami Malek (2019, Best Actor, "Bohemian Rhapsody") in NO TIME TO DIE. Bond has left active service and is enjoying life in Jamaica. His peace is short-lived when his old friend Felix Leiter from the CIA turns up asking for help. The mission to rescue a kidnapped scientist turns out to be far more treacherous than expected, leading Bond onto the trail of a mysterious villain armed with dangerous new technology. PG-13, 163 min.


10/9

The Metropolitan Opera Live: Boris Godunov

Part of the Metropolitan Opera Live Series: Bass René Pape, the world’s reigning Boris, reprises his overwhelming portrayal of the tortured tsar caught between grasping ambition and crippling paranoia. Conductor Sebastian Weigle leads Mussorgsky’s masterwork, a pillar of the Russian repertoire, in its original 1869 version, which runs two-and-a-quarter hours with no intermission. Stephen Wadsworth’s affecting production poignantly captures the hope and suffering of the Russian people as well as the tsar himself. 2 hrs, 40 min. Sung in Russian with subtitles.


Starts 10/15

The Velvet Underground

The Velvet Underground created a new sound that changed the world of music, cementing its place as one of rock 'n' roll's most revered bands. Directed by acclaimed filmmaker Todd Haynes, THE VELVET UNDERGROUND shows just how the group became a cultural touchstone representing a range of contradictions: the band is both of their time, yet timeless; literary yet realistic; rooted in high art and street culture. R, 90 min.


10/23

The Metropolitan Opera Live: Fire Shut Up In My Bones

Part of the Metropolitan Opera Live Series: Yannick Nézet-Séguin conducts Grammy Award–winning jazz musician and composer Terence Blanchard’s adaptation of Charles M. Blow’s moving memoir, which The New York Times praised after its 2019 world premiere at Opera Theatre of Saint Louis as “bold and affecting” and “subtly powerful.” The first opera by a Black composer presented on the Met stage and featuring a libretto by filmmaker Kasi Lemmons, the opera tells a poignant and profound story about a young man’s journey to overcome a life of trauma and hardship. 2 hrs, 55 min.


Date TBD

In Balanchine’s Classroom

IN BALANCHINE’S CLASSROOM takes us back to the glory years of Balanchine’s New York City Ballet through the remembrances of his former dancers and their quest to fulfill the vision of a genius. Filled with never before seen archival footage of Balanchine at work during rehearsals, classes, and in preparation for his most seminal works, along with interviews with many of his adored and adoring dancers and those who try to carry on his legacy today, this is Balanchine as you have never seen him, and a film for anyone who loves ballet and the creative process.  NR, 89 min.


Date TBD

The French Dispatch

THE FRENCH DISPATCH has been described as "a love letter to journalists set at an outpost of an American newspaper in a fictional 20th-century French city." The film centers on three storeies and brings to life a collection of tales published in the eponymous THE FRENCH DISPATCH, based in the fictional French city of Ennui-sur-Blasé. The film is inspired by director, Wes Anderson's love of The New Yorker, and som characters and events in the film are based on real-life equivalents from the magazine. R, 107 min.


Date TBD

Hive

Sundance triple award winner HIVE is a searing drama based on the true story of Fahrije, who, like many of the other women in her patriarchal village, has lived with fading hope and burgeoning grief since her husband went missing during the war in Kosovo. In order to provide for her struggling family, she pulls the other widows in her community together to launch a business selling a local food product. Together, they find healing and solace in considering a future without their husbands—but their will to begin living independently is met with hostility. NR, 84 min. Albanian with subtitles.


Date TBD

Little Girl

LITTLE GIRL is the moving portrait of 7-year-old Sasha, who has always known that she is a girl. Sasha’s family has recently accepted her gender identity, embracing their daughter for who she truly is while working to confront outdated norms and find affirmation in a small community of rural France. Realized with delicacy and intimacy, Sébastien Lifshitz’s documentary poetically explores the emotional challenges, everyday feats, and small moments in Sasha’s life. NR, 88 min. French with subtitles.


Date TBD

C'mon C'mon

In this soft-spoken yet casually profound family drama, Johnny (Joaquin Phoenix) and his young nephew forge a tenuous but transformational relationship when they are unexpectedly thrown together in this delicate and deeply moving story about the connections between adults and children, the past and the future, from writer-director Mike Mills. R, 108 min.


11/21

Bolshoi Ballet: Spartacus

Part of the Bolshoi Ballet Series: In Imperial Rome led by Crassus, Spartacus and his wife Phrygia are reduced to slavery and are separated by slave dealers. His love for her and his desire for freedom lead him to revolt against the Roman army with the help of the other captives. But the treacherous Aegina, who seeks to conquer Crassus and gain power, will get in the way of Spartacus’s plan. 2 hrs, 50 min.


Starts 11/24

The Power of the Dog

Phil, a domineering, magnetic rancher responds with mocking cruelty when his brother brings home a new wife and her son, until the unexpected comes to pass. As Phil swings between fury and cunning, his taunting of Rose takes an eerie form -- he hovers at the edges of her vision, whistling a tune she can no longer play. His mockery of her son is more overt, amplified by the cheering of Phil's cowhand disciples. Then Phil appears to take the boy under his wing. Is this latest gesture a softening that leaves Phil exposed, or a plot twisting further into menace? R, 125 min. Presented in partnership with PTFF


12/4

The Metropolitan Opera Live: Eurydice

Part of the Metropolitan Opera Live Series: The ancient Greek myth of Orpheus, who attempts to harness the power of music to rescue his beloved Eurydice from the underworld, has inspired composers since opera’s earliest days. Brilliant American composer Matthew Aucoin now carries that tradition into the 21st century with a captivating new take on the story—a product of the Met’s commissioning program. 3 hrs, 5 min.


12/11

The Metropolitan Opera Live: The Magic Flute

Part of the Metropolitan Opera Live Series: Now a holiday tradition, Julie Taymor’s beloved production of Mozart’s enchanting fairy tale returns in its abridged, English-language version for families. Soprano Erin Morley, last seen at the Met as a brilliant Olympia in Les Contes d’Hoffmann, is the empowered Pamina, and tenor Ben Bliss is the valiant Tamino. Baritone Nathan Gunn is the comic birdcatcher Papageno, and soprano Kathryn Lewek reprises her hair-raising rendition of the malevolent Queen of the Night. Harry Bicket conducts. 2 hrs.


12/19

Bolshoi Ballet: The Nutcracker

Part of the Bolshoi Ballet Series: On Christmas Eve, Marie and her whole family are gathered around the tree in celebration of the holiday. She receives a magical gift from her godfather Drosselmeyerand soon enough this Christmas eve will take an unexpected turn for her. Marie's new doll comes alive and carries her into a whirlwind adventure. 2 hrs, 15 min.


1/1/2022

The Metropolitan Opera Live: Cinderella

Part of the Metropolitan Opera Live Series: In this New Year’s Day performance, Laurent Pelly’s storybook staging of Massenet’s Cendrillon, a hit of the 2017–18 season, is presented with an all-new English translation in an abridged 90-minute adaptation, with mezzo-soprano Isabel Leonard as its rags-to-riches princess. 1 hr, 50 min. Sung in French with subtitles.


1/29/2022

The Metropolitan Opera Live: Rigoletto

Part of the Metropolitan Opera Live Series: Bartlett Sher’s bold new take on Verdi’s timeless tragedy arrives in cinemas on January 29. The Tony Award­–winning director resets the opera’s action in 1920s Europe, with Art Deco sets by Michael Yeargan and elegant costumes by Catherine Zuber, themselves boasting a combined 11 Tony Awards. Baritone Quinn Kelsey, a commanding artist at the height of his powers, brings his searing portrayal of the title role to the Met for the first time. 3 hrs, 30 min. Sung in Italian with subtitles.


2/6/22

Bolshoi Ballet: Jewels

Part of the Bolshoi Ballet Series: Emeralds for the elegance and sophistication of Paris, rubies for the speed and modernity of New York, and diamonds for an imperial St. Petersburg. Three sparkling scenes accompanied by the music of three essential composers, feature thestyles of the three dance schools that have contributed to making George Balanchine a legend of modern ballet. 2 hrs, 20 min.


3/6/22

Bolshoi Ballet: Swan Lake

Part of the Bolshoi Ballet Series: Lured to the banks of a mysterious lake by his alter-ego, the Evil Genius, Prince Siegfried encounters the most beautiful swan Odette and swears his love to her. At the castle, prospective brides try to entertain the distracted Prince,but it is the ravishing swan Odile who threatens the promise Siegfried made to Odette. 2 hrs, 35 min.


3/12/2022

The Metropolitan Opera Live: Ariadne Auf Naxos

Part of the Metropolitan Opera Live Series: The exhilarating soprano Lise Davidsen makes her Live in HD debut in one of her signature roles, the mythological Greek heroine of Strauss’s enchanting masterpiece. The outstanding cast for this March 12 transmission also features mezzo-soprano Isabel Leonard as the Composer of the opera-within-an-opera around which the plot revolves, with soprano Brenda Rae as the spirited Zerbinetta and tenor Brandon Jovanovich as Ariadne’s lover, the god Bacchus. Marek Janowski conducts. 3 hrs, 5 min. Sung in German with subtitles.


3/26/2022

The Metropolitan Opera Live: Don Carlos

Part of the Metropolitan Opera Live Series: For the first time in company history, the Met presents the original five-act French version of Verdi’s epic opera of doomed love among royalty, set against the backdrop of the Spanish Inquisition. Yannick Nézet-Séguin leads a world-beating cast of opera’s leading lights in this March 26 performance, including tenor Matthew Polenzani in the title role, soprano Sonya Yoncheva as Élisabeth de Valois, and mezzo-soprano Elīna Garanča as Eboli. 5 hrs, 15 min. Sung in French with subtitles.


5/7/2022

The Metropolitan Opera Live: Turandot

Part of the Metropolitan Opera Live Series: Superstar Anna Netrebko makes her long-awaited Met role debut as Puccini’s icy princess—seen live in cinemas on May 7. Tenor Yonghoon Lee is the bold prince determined to win Turandot’s love, alongside soprano Ermonela Jaho as the devoted servant Liù legendary bass Ferruccio Furlanetto as the blind king Timur. Marco Armiliato conducts Puccini’s stirring score. 3 hrs, 30 min. Sung in Italian with subtitles.


5/15/22

Bolshoi Ballet: The Pharaoh’s Daughter

Part of the Bolshoi Ballet Series: While traveling in Egypt, Lord Wilson is caught in a sandstorm and finds refuge in the nearest pyramid where Aspicia, the daughter of one of Egypt’s most powerful pharaohs, lies entombed. When he falls asleep, lulled by the haze of opium, Aspicia comes to life and his passion for her will take him on a fantastic journey. 2 hrs, 50 min.


5/21/2022

The Metropolitan Opera Live: Lucia Di Lammermoor

Part of the Metropolitan Opera Live Series: On May 21, soprano Nadine Sierra takes on one of the repertory’s most formidable and storied roles, the haunted heroine of Lucia di Lammermoor, in an electrifying new staging by in-demand Australian theater and film director Simon Stone, conducted by Riccardo Frizza. Show-stopping tenor Javier Camarena adds to the bel canto fireworks as Lucia’s beloved, Edgardo, with baritone Artur Ruciński as her overbearing brother, Enrico, and bass Matthew Rose as her tutor, Raimondo. 3 hrs, 45 min. Sung in Italian with subtitles.


6/4/2022

The Metropolitan Opera Live: Hamlet

Part of the Metropolitan Opera Live Series: When Australian composer Brett Dean’s HAMLET had its world premiere at the Glyndebourne Festival in 2017, The Guardian declared, “New opera doesn’t often get to sound this good … Shakespeare offers a gauntlet to composers that shouldn’t always be picked up, but Dean’s Hamlet rises to the challenge.” On June 4, this riveting contemporary masterpiece appears live in cinemas, with Neil Armfield, who directed the work’s premiere, bringing his acclaimed staging to the Met stage. 3 hrs, 35 min.